{"id":10457,"date":"2017-09-01T00:00:02","date_gmt":"2017-08-31T22:00:02","guid":{"rendered":"https:\/\/wp.themedemo.org\/WP01\/WP007\/?p=1"},"modified":"2024-07-27T10:05:50","modified_gmt":"2024-07-27T08:05:50","slug":"archive","status":"publish","type":"post","link":"https:\/\/warrenston-art-museum.uk\/index.php\/2017\/09\/01\/archive\/","title":{"rendered":"Les grands ma\u00eetres restaur\u00e9s"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"10457\" class=\"elementor elementor-10457\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9b8274 e-flex e-con-boxed e-con e-parent\" data-id=\"9b8274\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-620da68f elementor-widget elementor-widget-text-editor\" data-id=\"620da68f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.22.0 - 26-06-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>L&rsquo;art de la restauration se m\u00eale \u00e0 la grandeur des ma\u00eetres de la peinture dans une exposition exceptionnelle qui ouvre ses portes cette semaine au prestigieux Mus\u00e9e des Beaux-Arts. Intitul\u00e9e \u00ab\u00a0Ma\u00eetres Restaur\u00e9s : Un Voyage dans le Temps\u00a0\u00bb, cette exposition pr\u00e9sente une collection unique de tableaux embl\u00e9matiques, restaur\u00e9s avec une pr\u00e9cision et un soin remarquables par les meilleurs restaurateurs du monde.<\/p><div id='gallery-1' class='gallery galleryid-10457 gallery-columns-3 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/botticelli_vierge.jpg'><img fetchpriority=\"high\" decoding=\"async\" width=\"749\" height=\"1024\" src=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/botticelli_vierge-749x1024.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11135\" srcset=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/botticelli_vierge-749x1024.jpg 749w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/botticelli_vierge-220x300.jpg 220w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/botticelli_vierge-768x1050.jpg 768w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/botticelli_vierge.jpg 900w\" sizes=\"(max-width: 749px) 100vw, 749px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11135'>\n\t\t\t\tVierge et Enfant avec deux Anges &#8211; peintre Sandro Botticelli- Restauration par Edouardo GIALONI en 1987\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture3.jpg'><img decoding=\"async\" width=\"767\" height=\"1024\" src=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture3-767x1024.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11092\" srcset=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture3-767x1024.jpg 767w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture3-225x300.jpg 225w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture3-768x1026.jpg 768w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture3-1150x1536.jpg 1150w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture3.jpg 1500w\" sizes=\"(max-width: 767px) 100vw, 767px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11092'>\n\t\t\t\tLa Charit\u00e9 &#8211; peintre Simon Vouet &#8211; Restauration par Salvator Chroma en 2014\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture7-1.png'><img decoding=\"async\" width=\"713\" height=\"1000\" src=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture7-1.png\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11158\" srcset=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture7-1.png 713w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture7-1-214x300.png 214w\" sizes=\"(max-width: 713px) 100vw, 713px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11158'>\n\t\t\t\tLa Temp\u00e9rance Piero Pollaiuolo &#8211; peintre Restauration par Salvator Chroma en 2017\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_magdalena.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"743\" height=\"1024\" src=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_magdalena-743x1024.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11136\" srcset=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_magdalena-743x1024.jpg 743w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_magdalena-218x300.jpg 218w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_magdalena-768x1059.jpg 768w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_magdalena.jpg 900w\" sizes=\"(max-width: 743px) 100vw, 743px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11136'>\n\t\t\t\tSainte Marie-Madeleine &#8211; peintre Piero di Cosimo &#8211; restauration par Gustavo Dorinni en 2005\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_vespucci.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1024\" src=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_vespucci-734x1024.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11137\" srcset=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_vespucci-734x1024.jpg 734w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_vespucci-215x300.jpg 215w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_vespucci-768x1072.jpg 768w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/cosimo_vespucci.jpg 900w\" sizes=\"(max-width: 734px) 100vw, 734px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11137'>\n\t\t\t\tPortrait de Simonetta Vespucci &#8211; peintre Piero di Cosimo &#8211; restauration par Gustavo Dorinni en 2001\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/verrocchio_bapteme.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"847\" height=\"1024\" src=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/verrocchio_bapteme-847x1024.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11140\" srcset=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/verrocchio_bapteme-847x1024.jpg 847w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/verrocchio_bapteme-248x300.jpg 248w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/verrocchio_bapteme-768x929.jpg 768w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/verrocchio_bapteme.jpg 950w\" sizes=\"(max-width: 847px) 100vw, 847px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11140'>\n\t\t\t\tLe Bapt\u00e8me du Christ &#8211; peintre Piero di Cosimo &#8211; restauration par Gustavo Dorinni en 2008\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture1-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1024\" src=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture1-1-719x1024.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11142\" srcset=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture1-1-719x1024.jpg 719w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture1-1-211x300.jpg 211w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture1-1-768x1093.jpg 768w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture1-1.jpg 800w\" sizes=\"(max-width: 719px) 100vw, 719px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11142'>\n\t\t\t\tLa Vierge \u00e0 l\u2019Enfant &#8211; peintre Fra Filippo Lippi &#8211; Restauration par Edouardo GIALONI en 2003\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/messine_vierge.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"773\" height=\"1024\" src=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/messine_vierge-773x1024.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11143\" srcset=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/messine_vierge-773x1024.jpg 773w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/messine_vierge-226x300.jpg 226w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/messine_vierge-768x1017.jpg 768w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/messine_vierge.jpg 850w\" sizes=\"(max-width: 773px) 100vw, 773px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11143'>\n\t\t\t\tVierge Marie &#8211; peintre Antonello de Messine &#8211; Restauration par Edouardo GIALONI en 1998\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"723\" src=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture2-1024x723.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11091\" srcset=\"https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture2-1024x723.jpg 1024w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture2-300x212.jpg 300w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture2-768x542.jpg 768w, https:\/\/warrenston-art-museum.uk\/wp-content\/uploads\/2024\/07\/peinture2.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11091'>\n\t\t\t\tAllegory of diligence &#8211; peintre Herman Hahn &#8211; Restauration par Salvator Chroma en 2014\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n<div class=\"elementor-element elementor-element-65c24601 elementor-widget elementor-widget-heading\" data-id=\"65c24601\" data-element_type=\"widget\" data-widget_type=\"heading.default\"><div class=\"elementor-widget-container\"><h3 class=\"elementor-heading-title elementor-size-default\"><span style=\"color: var(--global-palette3); font-family: var(--global-heading-font-family); text-align: var(--text-align); letter-spacing: 0.3px;\">Le travaille des restaurateurs<\/span><\/h3><\/div><\/div><div class=\"elementor-element elementor-element-21bc9e3f elementor-widget elementor-widget-text-editor\" data-id=\"21bc9e3f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"><div class=\"elementor-widget-container\"><div class=\"elementor-text-editor elementor-clearfix\"><p>Les restaurateurs qui ont travaill\u00e9 sur ces \u0153uvres sont les v\u00e9ritables h\u00e9ros de cette exposition. Utilisant des techniques avanc\u00e9es telles que l&rsquo;imagerie par fluorescence X et la spectrom\u00e9trie infrarouge, ils ont pu identifier les pigments originaux et comprendre les m\u00e9thodes de travail des artistes. Leur travail m\u00e9ticuleux a permis de conserver l&rsquo;int\u00e9grit\u00e9 historique des tableaux tout en les pr\u00e9parant pour les g\u00e9n\u00e9rations futures.<\/p><h3 class=\"entry-title\">Interview des restaurateurs<\/h3><h5>Edouardo GIALONI<\/h5><p>Le plus grand d\u00e9fi est de traiter les \u0153uvres avec le respect et la pr\u00e9cision qu&rsquo;elles m\u00e9ritent. Chaque tableau est unique et peut pr\u00e9senter des probl\u00e8mes sp\u00e9cifiques comme des craquelures, des d\u00e9colorations ou des dommages structurels. Il est crucial d&rsquo;utiliser des techniques et des mat\u00e9riaux appropri\u00e9s pour ne pas alt\u00e9rer l&rsquo;\u0153uvre d&rsquo;origine.<\/p><h5>Salvator CHROMA<\/h5><p>La passion de la peinture m&rsquo;est venue lorsque j&rsquo;\u00e9tais enfant, j&rsquo;ai d\u00e9couvert les chefs-d&rsquo;\u0153uvre de la Renaissance dans un mus\u00e9e, fascin\u00e9 par la beaut\u00e9 et la complexit\u00e9 des \u0153uvres. J&rsquo;ai eu l&rsquo;honneur de restaurer ce qui est pour moi le plus grand chef d&rsquo;\u0153uvre de tous les temps : le tableau de Raphael <strong>\u00ab\u00a0<em>l&rsquo;\u00e9cole d&rsquo;Ath\u00e8n<\/em>e\u00a0\u00bb<\/strong>, je le connais par c\u0153ur, chaque personnage est incroyable, je les connais par c\u0153ur ! je pourrais vous citer leurs noms de gauche \u00e0 droite sans aucune h\u00e9sitation. D&rsquo;ailleurs il a une magnifique reproduction de ce tableau dans le mus\u00e9e ou nous nous trouvons.<\/p><h5>Gustavo DORINNI<\/h5><p>La restauration d&rsquo;art est essentielle pour la pr\u00e9servation de notre patrimoine culturel. Ces \u0153uvres sont des t\u00e9moins historiques et culturels inestimables. En les restaurant, nous permettons aux g\u00e9n\u00e9rations futures de comprendre et d&rsquo;appr\u00e9cier ces chefs-d&rsquo;\u0153uvre, tout en assurant leur conservation pour les si\u00e8cles \u00e0 venir.<\/p><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9e6606c e-flex e-con-boxed e-con e-parent\" data-id=\"9e6606c\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>L&rsquo;art de la restauration se m\u00eale \u00e0 la grandeur des ma\u00eetres de la peinture dans une exposition exceptionnelle qui ouvre&#8230;<\/p>\n","protected":false},"author":1,"featured_media":11162,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_tbt_post_transparent":"","_tbt_post_title":"","_tbt_post_layout":"","_tbt_post_sidebar_id":"","_tbt_post_content_style":"","_tbt_post_vertical_padding":"","_tbt_post_feature":"","_tbt_post_feature_position":"","_tbt_post_header":false,"_tbt_post_footer":false},"categories":[1],"tags":[],"class_list":["post-10457","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/warrenston-art-museum.uk\/index.php\/wp-json\/wp\/v2\/posts\/10457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/warrenston-art-museum.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/warrenston-art-museum.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/warrenston-art-museum.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/warrenston-art-museum.uk\/index.php\/wp-json\/wp\/v2\/comments?post=10457"}],"version-history":[{"count":58,"href":"https:\/\/warrenston-art-museum.uk\/index.php\/wp-json\/wp\/v2\/posts\/10457\/revisions"}],"predecessor-version":[{"id":11182,"href":"https:\/\/warrenston-art-museum.uk\/index.php\/wp-json\/wp\/v2\/posts\/10457\/revisions\/11182"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/warrenston-art-museum.uk\/index.php\/wp-json\/wp\/v2\/media\/11162"}],"wp:attachment":[{"href":"https:\/\/warrenston-art-museum.uk\/index.php\/wp-json\/wp\/v2\/media?parent=10457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/warrenston-art-museum.uk\/index.php\/wp-json\/wp\/v2\/categories?post=10457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/warrenston-art-museum.uk\/index.php\/wp-json\/wp\/v2\/tags?post=10457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}